RABBITHOLE - Phillip Stearns

VIDEO: Phillip Stearns CFL feedback performance

rabbitholeprojects — Sat, 19 Nov 2011 00:25:01 +0000

17 NOV 11

The artist Phillip Stearns delivered a lecture on experimental electronics, circuit bending, and using sound to create imagery and vice versa. Stripping away the traditional vibration-based tonal instruments and performing instead solely through selectively filtering feedback loops running from mixer to compact fluorescent bulbs and back to the mixer, Stearns is able to create an experimental composition as in the video above.

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ART GALLERY

Phillip Stearns

performance

17 NOV 11: Phillip Stearns' presentation and performance

rabbitholeprojects — Wed, 16 Nov 2011 20:39:49 +0000

PHILLIP STEARNS "Subliminal Machines" Artist presentation and performance

THU 17 NOV 11. 7:00 - 9:00 pm

Check out the unreal solo exhibition of Phillip Stearns' experimental and experiential electronics. The artist will be performing with his hand-built, custom audio/video feedback synthesizer, as well as discussing the installation currently on view at Rabbithole. If you're into new media, glitch, antiquated technology, and the collusion of art and science, don't miss this event.

This exhibition has been extended through FRI 02 DEC 11.

Video: PHILLIP STEARNS, Compression Study 01 (2011)

Lament IV - Waves (10min excerpt) from Phillip Stearns on Vimeo.

"Lament IV - Waves" is a video graphics work generated using only simple sine tones as both source and control signals. The wave form signifies a pure cyclical process, one that is intimately linked to the revolution of planets, their orbit about the sun, the changing of tides, and the topology of water in motion. The Lament series stems from a meditation on the eco-destructive powers of mature global capitalism, and a loss of innocence symbolized by the polluting of our aquatic ecosystems.

This work was produced at the Experimental Television Center in Owego, NY in 2009 as part of the summer artist in residence program. The video signal is completely synthesized from sine tones and colorized using a Sandin image processor.

Neon Test - Light Art in the Making from Phillip Stearns on Vimeo.

Shift-registers and logic gates + solid state relays = mega light rad light control.

Tags:

ART GALLERY

Phillip Stearns

VIDEO: Rachael Hunt vs Phillip Stearns' Entity I

rabbitholeprojects — Wed, 16 Nov 2011 20:25:27 +0000

Rachael Hunt dances with the sound-sensitive neural-network installation Entitiy I (2011) by Phillip Stearns at Rabbithole. Filmed by Justin William LIn on 13 NOV 11.

Also, Phillip will be performing tomorrow night (Thu 17 Nov) from 7:00 - 9:00 pm for the artist's presentation. His work creating glitch video synthesis through overlapping feedback channels, as shown in his Apeiron | Peras series of videos, is an awesome experience when performed live.

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03 NOV 11: Phillip Stearns "Subliminal Machines"

rabbitholeprojects — Mon, 17 Oct 2011 20:29:48 +0000

Above: PHILLIP STEARNS "Fruiting Bodies of High-Voltage Transmission Lines" (2010) Found speakers, speaker wire, custom electronics, dimensions variable

PHILLIP STEARNS
Subliminal Machines
03 NOV - 28 NOV 11 extended to 02 DEC 11

Opening reception: THU 03 NOV 11, 6:00 - 9:00 pm
Artist's presentation: THU 17 NOV 11, 7:00 - 9:00 pm

When the circuit is exposed, electronic technologies can take on an organic appearance. In my work with sculptural electronics, the components become crystalline lattices, skeletal structures, with wires functioning as any blood vessel or nerve bundle would. By making electronics physical, I invert the paradigm of miniaturization which constantly seeks to embed ever powerful computational devices in increasingly smaller spaces, choosing to explode the physical attributes of the circuits to give them a bodily presence.

Under the banner of a “smarter world”, we are inundating ourselves with objects whose functionality forms a dynamic interrelationship of dependence. The devices are not yet autonomous, to be so would mean that they are able to re-program themselves. What this means is that the behaviour of the electronics is to an extent pre-determined, not by some heartless machine, but by a group of humans (hopefully not heartless ones). We cannot help but embed our value systems and biases into the devices we build.

It is not necessary to accommodate every way of thinking, nor is it very useful to create the ultimate swiss army knife, to do so creates unwieldy and ultimately useless tools. However, it is important to understand that a device can shape our thoughts, that we take on the same thinking that went into the making of the device each time we use it. They have their own internal logic, and we must conform to the functioning of that logic to gain access to the intended utility.

In my work with electronics, I have not built devices to be used, but experienced. They have their own internal logic, but it is not necessary to access it. There are deeper metaphors embedded within the design of some of my works, however, this should come secondary to the experience. It is there that the meanings can be strung together, without a deep understanding of what is going on and how it is happening.

- Phillip Stearns

View images of works

Phillip Stearns creates at the intersection of art, philosophy, and science, drawing upon a variety of disciplines including installation, audio-video, circuit sculpture, writing, performance art and musical composition. Deconstruction, dissection, and reconfiguration are methods he commonly employs in the interrogation of materials ranging from electronic objects, biological systems, images, light, video, and sound. His process is that of reduction aimed at revealing hidden macrocosms of potential, new materials for expression, and new paths for inquiries into understanding the state of things.

In his work with technology, the machine is understood as the living manifestation of human intentions where the development and application of our technologies, machines and tools reveals our desires and dreams—both conscious and unconscious. His work generates phenomenological experiences that become pathways for interconnecting metaphorical spaces implied in the selection of specific materials, processes and media.

Phillip Stearns received his MFA in music composition and integrated media from the California Institute of Arts in 2007 and his BS in music technology from the University of Colorado at Denver in 2005. His work has been exhib- ited internationally at electronics arts festivals, museums, and galleries including: Harvestworks (2010 NYC); Gli. tc/H (2010 Chicago, IL); Festival De Arte Digital (2010 Belo Horizonte, Brazil); FILE (2009 Sao Paulo, Brazil); NIME (2009 Pittsburgh, PA); Filmer La Musique (2009 Paris, France); FONLAD (2009 Coimbra, Portugal); Torrance Art Museum (2008, 2007 Los Angeles, CA); Optica Film Festival (2011, 2008 Spain). He has participated in residencies at Museums Quartier (Vienna 2010), STEIM (Amsterdam 2007), Experimental Television Center (NY 2009), Har- vestworks (NY 2010), is the current AIRTime Fellow at Free103Point9 for the 2010-2011 cycle, and curator for the 8th annual Bent Festival (2011).

Tags:

ART GALLERY

Phillip Stearns

new media

RABBITHOLE - Phillip Stearns

VIDEO: Phillip Stearns CFL feedback performance

17 NOV 11: Phillip Stearns' presentation and performance

VIDEO: Rachael Hunt vs Phillip Stearns' Entity I

03 NOV 11: Phillip Stearns "Subliminal Machines"

PHILLIP STEARNSSubliminal Machines03 NOV - 28 NOV 11 extended to 02 DEC 11

PHILLIP STEARNS
Subliminal Machines
03 NOV - 28 NOV 11 extended to 02 DEC 11